羅文偉
畢業於香港演藝學院，主修燈光設計，及劇場導演(正攻讀)，期間獲頒周生生證券獎學金及演藝學院友誼社獎學金。2017年加入城市當代舞蹈團任駐團燈光設計師。
羅氏參與劇場創作多年，涉獵劇場編導，燈光設計，舞台設計，錄像設計。
羅氏曾為不同劇場演出擔任設計師，作品有 城市當代舞蹈團《棕色》《時空觀》《迴影》《大鄉下話》《冬之旅 · 春之祭》《茫然先生》《Re-Mark》《不期而遇》《易季》《香夭》《小王子》《恐集》、香港話劇團《極樂過山車》《五月的梅子》、黎海寧編舞作品《Frida》《90後的黎海寧》、前進進戲劇工作坊《會客室 - Best Wishes》《（而你們所知道的）中國式魔幻》、風車草劇團《告別之後》、多空間《冇關係》《突然之間》、香港藝術節《MOKITA》《火滅》、香港演藝學院《六個尋找劇作家的角色》《熒‧睿》等。
憑 城市當代舞蹈團《跌宕》獲提名香港舞蹈年獎2019 傑出燈光設計。
憑 城市當代舞蹈團《冬之旅》獲香港舞蹈年獎2020 傑出燈光設計。
除設計外，他亦致力於劇場創作，並於2009年成立 INSPIRE WORKSHOP，創作糅合新媒體及表演之劇場作品，包括《他媽的科技》《姐姐》《觸怒你──劇場裡的不可能》《愛比資本更冷Deconstructed》（首演及重演）《二十仍在》《二十然後》《二十常在》《In a New Light and Sound》等，以及艾菲斯劇團《大都會》《我們身處的這個地方》《臭男人飄香》《假如沒有孟婆湯》 等。
憑編導作品《愛比資本更冷Deconstructed》獲提名第八屆香港小劇場獎最佳導演。
現正於香港演藝學院攻讀碩士學位。
Lawmanray
Lawmanray (Raymond Law) graduated from the HKAPA in Lighting Design. And he is doing his master degree on Theatre Directing in HKAPA.
He was awarded Chow Sang Sang Securities Scholarships in 2011 and The Society of APA Scholarship in 2012. He joined City Contemporary Dance Company (CCDC) as Resident Lighting Designer in 2017. He participated in Theatre Art for years, and served widely as Director, Lighting Design, Set Design and Video Design.
He has lit many stage productions including BROWN, Travel of Soul Time AFTER Time, Echo in the Mirror, Home Sweat Home, Mr. Blank, Winterreise · Rite of Spring, Come Across, Season(s), Requiem HK, The Little Prince, Why Not Kill Us All for CCDC; MOKITA, Put out the Flame for Hong Kong Art Festival; Euthanasia Coaster, MAY for Hong Kong Repertory Theatre; Frida, Helen Lai in the Post-90's for Helen Lai; Magic in Chinese Style (that you all know about), Best Wishes for On & On Theatre Workshop; Ever After for Windmill Grass Theatre; None of your business, Suddenly for Y space; Six Characters In Search of An Author , Luminous! for HKAPA and others.
In 2019 He was nominated for Outstanding Lighting Design at the Hong Kong Dance Awards by JangDan (CCDC).
In 2020 he won Outstanding Lighting Design at the Hong Kong Dance Awards by Winterreise (CCDC).
Lawmanray is also active in theatre making. In 2009, he formed INSPIRE WORKSHOP, a theatre company aiming to create multimedia stage work with excellent performance. His recent works include The Damn Technology, The HELP, Offending the Audience – The Impossibility of Theatre, Love is Colder than Capital Deconstructed (premiere and rerun), Jacklam’s 20th Anniversary, Jacklam’s 21st Anniversary, Jacklam Always, In a New Light and Sound.
He was nominated for Best Director in the 8th Hong Kong Theatre Libre 2015-2016 for Love is Colder than Capital Deconstructed.
External Link :
INSPIRE WORKSHOP